Nika Winn // October 2018

Nika Winn is a visual artist from Kansas City, MO in the United States. She spent the month of October 2018 at the Fish Factory to explore new modes of working in her studio practice.

During her time here Nika worked with canvas that she painted, cut out and then pieced together to create her work titled, Cat Horse Sheep. The project itself became a visual narrative her time spent in Iceland.

Nika Winn // October 2018

// More of Nika Winn’s Work //

www.nikawinn.com

https://www.instagram.com/kneekuh_/

Check out the interview here:

Thank you Nika!

Ben Davis // October 2018

Ben Davis is a photographic artist and bookmaker from the Greater New York City area. He was with us for the month of October 2018.

While at the Fish Factory he spent a lot of time exploring the fjord and surrounding mountains/landscape. He also started to experiment with night photography.

His current photographic practice revolves around documenting the world around him through still life and landscape images. The work shows the oddities and beauty of everyday life in common spaces that others might miss. A large influence in his work is the geometry and form in these ordinary spaces. He finds scenes that are considered commonplace and brings them forward in a new light, divulging a new interpretation of the set.

Ben Davis // October 2018

// More of Ben Davis’s Work  //

http://benjamindavis.space/

https://www.instagram.com/bpdavis_/?hl=en

Thank you, Ben!

Christopher Johns // October 2018

Christopher Johnsey is a painter from Sheffield in the UK.  He studied BA Fine Art at Middlesex University, London, graduating in 2010.

Chris makes reportage drawings and paintings, poetry and sound recordings, exploring the relationship between the environment and the human race, and our impact.

During his month with us in October, he studied the ever-changing climate and environment of Stödvarfjördur.  Working on board and old curtain material found at the Fish Factory, Chris created a painting capturing the atmosphere of his surroundings that he constructed by making a daily entry onto the surface.

Chris worked outside in all weathers, allowing the elements to affect the surface of the piece. Sometimes the rain would erase the previous days work, or the sunlight and crisp wind would dry or crack the painted material. He was interested in what happens in giving up a certain degree of control, and how the outcome creates a document and a record of his time in Stödvarfjördur.

Christopher Johns // October 2018

Thank you, Chris!

Maggie Middleton // September 2018

Maggie Middleton is a printmaker and artist from the US. She was with us for the month of September 2018. She is currently studying for her MFA in Printmaking at the Akademia Sztuk Pięknych im. Eugeniusza Gepperta  in Wrocław, Poland. She received her bachelor’s degree from Oberlin College where she graduated with High Honors in Studio Art. Her current body of work revolves around the concept of “camouflage,” both in the sense of disguising ones-self and also the highly politicized and gendered fabric.

Maggie Middleton // September 2018

// More of  Maggie Middleton’s Work  //

 https://maggiemiddleton-art.squarespace.com

https://www.instagram.com/maggie.landa.middleton/?hl=en

Check out the interview here:

Thank you Maggie!

Nikolina Kovalenko // September 2018

Nikolina Kovalenko attended Fish Factory residency in September 2018 where she was working on a series of paintings titled “Guardians Of Northern Lights”, processing and interpreting Icelandic sagas and legends through the visual landscape and cultural associations.

She is interested in humanity’s vanishing connection with Nature and strives to expose the consequences our everyday actions have on the environment. Kovalenko works with fragile ecosystems creating artwork inspired by locations specific to each project.

This series explores the symbolism of textures found in Nature, magnifying the mundane and transforming it into the sublime. The artist chose aluminium as a painting surface to convey the austerity, endurance and subtle glory of Iceland—a vast volcanic laboratory tamed by the ocean.

Nikolina Kovalenko received her MFA from Moscow Surikov Art Institute (Moscow, Russia) in 2011 and studied at Universität der Künste (Berlin) in 2010. Her work has been reviewed in art blogs, newspapers and magazines and is in numerous corporate and private collections worldwide. The artist currently lives and works in New York City.

Nikolina Kovalenko // September 2018

// More of  Nikolina Kovalenko’s Work  //

Deidre Cavazzi // September 2018

Deidre Cavazzi is a multimedia choreographer from Southern California.  She spent September 2018 at the Fish Factory, where she gathered visual and textual material based on the relationship between landscape and folklore for a future performance project.

Deidre has always been passionate about collaborative projects that embrace and explore the relationship between art and science; she feels strongly that inquiry and creative investigation drive discovery and experimentation, and frequently engages with projects that are cross-disciplinary, non-traditional, and that bring together diverse communities.  She draws inspiration from scientific concepts—bringing environments to life onstage or in site-specific locations, and incorporating multimedia to transport the audience and evoke ideas.  In addition to collecting folk stories and exploring the geology of the East Fjords, Deidre kept a blog about her time in Iceland and also started developing a dance for camera piece, centered on gesture and textures, both in art-making and in the local landscape.

Deidre Cavazzi // September 2018

Deidre is a process artist and delights in the research, experimentation, dialogue and development of the community that occurs between the seed of an idea and the final curtain call onstage.  Whether she is exploring concepts of quantum physics, Fibonacci numbers in nature, climate change in the Arctic, or the geology of Iceland, she strives to initiate collaboration with experts in related fields, hopefully inspiring audiences to learn more; she is interested in creating art which serves as a catalyst for conversation, knowledge and connection to the natural world.

Deidre Cavazzi // September 2018

// More of  Deidre Cavazzi’s Work  //

Thank you Deidre!

Debbie Fish // September 2018

Debbie Fish is an installation artist and set designer based in Wellington, New Zealand and she joined us for the month of September. Her installations are inspired by environmental and social concerns and she is particularly interested in the use of found and recycled materials in her work.

During her residency at the Fish Factory, Debbie was working on a visual exploration of a new series of works inspired by the ‘Doughnut Economy’, through the lens of the fishing industry. Debbie spent her time examining different textures from the area and combined these into a series of small mixed media works that draw on rust, stingray skin and displaced data points.

She is drawn to fishing villages, having spent a month in 2017 in Taiwan as one of the artists in residence as part of the Keelung NMMST (National Museum of Marine Science and Technology) International Art Project, creating a work School of Scales using found and recycled materials and the help of local school children.

Debbie Fish // September 2018

// More of  Debbie Fish’s Work  //

https://www.goldfishcreative.co.nz/installations

https://www.instagram.com/goldfishcreative/

https://twitter.com/debdebfish

Check out the interview here:

Thank you Debbie!

Jenni Ward // September 2018

Jenni Ward is a ceramic sculptor and installation artist based in Santa Cruz California. Jenni joined us here at the Fish Factory in September 2018.

She is inspired by biological forms with a particular focus on structures and patterns in nature.

Her time spent connecting to her environment and exploring way above and way below sea level is an integral part of her work. She takes inspiration from those places to create abstract interpretations of forms and structures through thoughtfully crafted ceramic sculptures. Her installations play with the connectivity of the form to its environment and in turn the connectivity of herself to the natural world.

Jenni Ward // September 2018

// More of Jenni Wards’s Work //

Her works address the subject of magic, asking what problems people attempt to solve with it, and why some resort to magic as their tool to do so. 

//More of Klara Brydewall’s Work//

https://www.instagram.com/klarabrydewall/?hl=en

Thank you, Klara!

Beata Grahn // August 2018

Beata Grahn is an artist from Göteborg, Sweden. She is currently based in Stockholm, where she recently got her BFA at Konstfack University of Arts, Crafts and Design, specializing in art jewelry and corpus.

Her practice revolves around apotropaic objects and actions (a term which basically refers to tools to ward off evil), taking off in the notion that present-day use of apotropaic magic is not so much acting upon actual superstitious conviction as it is an act of showing humility/awareness of vulnerability.

During her residency here she’s been focusing on pinpointing common denominators between jewelry, infrastructure and human behavior, all the while integrating photography as a potential final stage of her processes. Taking advantage of the Icelandic surroundings and weather conditions, she works with automated flash photography as a means of exploring the pedestrian reflector as an everyday item on the verge of being jewelry.

Beata Grahn // August 2018

// More of Beata Grahn’s Work //

https://www.instagram.com/beat.a.grahn/

Check out the interview here:

Thank you, Beata!

Shawn Camp// August 2018

Shawn Camp is an artist and musician based in Austin, TX USA. During his August 2018 residency, he created paintings, videos, and sound pieces in preparation for two solo exhibitions in the fall.

These new works investigate dualities and exploit the effects of context on our perception. They convey a sense of atmosphere and explore the mystery of light and matter – an acknowledgment of our constantly changing state of existence where nothing is fixed. His experiences throughout Iceland had a deep and surprising impact on his work.

Shawn Camp// August 2018

// More of Shawn Camp’s Work //

http://www.shawncamp.net/

Check out the interview here:

Thank you, Shawn!

Chloe Purcell // August 2018

Chloe Purcell is a puppetry specialist, animator, performance maker, producer & painter based in London, England.

Chloe joined the Fish Factory for the month of August 2018 to explore, representations of the divine feminine with the hope of connecting to the Elven realms through nature.

During her residency, Chloe took the opportunity to explore ceramic sculpture for the first time, creating dolls and sculptural representations of the divine feminine from folklore.

Chloe Purcell // August 2018

// More of Chloe Purcell’s Work //

https://www.instagram.com/purcell.chloe44/

Check out the interview here:

Thank you, Chloe!

Geffen Refaeli// August 2018

Geffen Refaeli is a visual artist, illustrator and writer. She graduated Bdes from the Bezalel Academy of art and design Jerusalem 2010 and is based in Tel Aviv, Israel.

Geffen joined us here at the Fish Factory for a month of August 2018 to work on her new project Amicis Vivit- a speculative research into the life of newly discovered, imagined hybrid creatures. She worked mainly with photography, collage and drawing. In this project Refaeli was inspired by the local environment and natural world. Her work is centred around questions of phenomenology and the definition of life.

Geffen Refaeli// August 2018

// More of Geffen Refaeli’s Work //

http://geffenrefaeliart.com/

http://instagram.com/dailydoodlegram

Thank you, Geffen!

Kirsty Palmer // July, August 2018

Kirsty Palmer is a visual artist from Glasgow, Scotland who joined us at the Fish Factory for the months of July and August 2018. She graduated from the MFA programme at The Glasgow School of Art in 2014 and with BA (Hons) in 2010. Her two-month residency at the Fish Factory formed part of an extended working period in Iceland, during which she has also been based in Reykjavik and Ísafjörður. 

Working in both two and three dimensions, Kirsty’s practice is driven by formal concerns; a language of materiality and the making process itself, whilst it also addresses notions of landscape, abstraction, archaeology, mapping and the photographic notion of ‘exposure’. Kirsty is interested in the function of ‘slow’ objects and images as well as the physicality of islands. Combining multiple elements, her work often presents as installation which is usually site-specific or temporary.

Kirsty Palmer // July, August 2018

Whilst at the Fish Factory, Kirsty worked with drawing, printmaking, ceramics and photography to develop a new body of work which is informed by pre-existing concerns as well as by surrounding geography, geology and changing material states. It seeks to begin to address phenomenological aspects of both materiality and of her own practice through employing various scales and forms. Throughout the residency, Kirsty sought to expand her working methods, experimenting with ceramics (specifically porcelain) and exploring the function of photography as a working material throughout her practice.

Kirsty Palmer // July, August 2018

// More of Kirsty Palmer’s Work //

https://www.instagram.com/kirsty_palmer_/

Thank you, Kirsty!

Rebecca Pempek //  July 2018

 Rebecca is a visual artist from the U.S who joined us here at the Fish Factory in July 2018. She works two-dimensionally; challenging the distinction between painting and drawing with mixed media works on paper.

While at the Fish Factory, she worked on a number of drawings/paintings and a wall mural in our factory.

She believes that today’s turbulent political climate yields tremendous cultural anxiety, with the new default state of the human condition ‘residing in turbulence’ or ‘reconciling turbulence.’ Rebecca’s cites her work as a reconciliation of this turbulence. Within this is an exploration of the movement between fantasy and reality.

She offers the words of author and illustrator, Maurice Sendak as significant to this body of work;

“there is no such thing as fantasy unrelated to reality”

Rebecca Pempek //  July 2018

// More of Rebecca Pempek’s Work //

http://rebeccapempek.weebly.com/

https://www.instagram.com/rebeccapempekart/

Check out the interview here:

Thank you, Rebecca!

Mary Buckland // June, July, August 2018

Mary Buckland is an artist who works in multiple mediums, including embroidery, bookmaking, and various printmaking techniques.

She is from Yellowknife, Canada, and spent June, July, and August 2018 at the Fish Factory residency following her graduation from university.

During her time at the Fish Factory, her focus and inspiration were personal and communal memory intersecting with the landscape; and the erasure of memory through time and the elements.

Mary Buckland // June, July, August 2018

// More of Mary Bucklands’s Work //

https://www.mary-buckland.com/

https://www.instagram.com/mary.makes.things/

Check out the interview here:

Thank you, Mary!

Sara Walters // July 2018

Sara Walters is a writer and Ph.D. student from East Tennessee who joined us at the Fish Factory in July of 2018. While in residence, Sara completed a draft of her yet-untitled young adult novel and worked on her doctoral research in the portrayal of trauma in the young adult genre.

Home in Tennessee, Sara is a full-time student and activist, working with liberal and democratic groups around the state, and advocating for the political arm of Planned Parenthood to promote access to affordable health care for women, LGBTQ+ people, and other marginalized groups. This activism feeds into her research on trauma, and how the language used to portray these stories impacts young women.

Sara Walters // July 2018

//More of Sara Walters’s Work//

https://saradoesthings.com/

Instagram

https://www.instagram.com/saradoesthings/

Check out the interview here:

Thank you, Sara!

Franck Sarfati// July 2018

Franck Sarfati is a sculptor from Brussels, Belgium who joined us here at the Fish Factory in July 2018.

He came here to focus on his Limoges porcelain sculpture projects for his upcoming solo show in Brussels and to experimenting new shapes and ideas.

While he is in the residency, except working in the shared studio, he also explored and inspired a lot of Iceland´s landscape and geology.

Franck Sarfati// July 2018

//More of Franck Sarfati’s Work//

www.francksarfati.be

Instagram:

https://www.instagram.com/francksarfati/

Check out the interview here:

Thank you, Franck!

Sally Richardson //  July 2018

Sally Richardson is a multiplatform artist, writer, director, performance maker and producer.

She is based in Perth, Western Australia and she joined us here at the Fish Factory for a month of July 2018 to focus on researching her solo creative practice and process and working in response to place and environment.

During her residency, she developed a number of projects with a focus on photographic, film and writing explorations.

Her thematic and philosophical focus being; ‘the melancholy blue of distance’ & exploring this in the context of Wabi-Sabi as a creative/artistic aesthetic.

Sally Richardson //  July 2018

//More of Sally Richardson’s Work//

Check out the interview here:

Thank you, Sally!

Wild Anima is a musician from France who lives in Berlin and who joined us here at the Fish Factory in June 2018. She makes vocal ambient& downtempo electronic music.

While she was in the residency, she worked on her album project which she had already started to develop. The heart is the main core of her album project. When she searched about “healing process of broken hearts” she found out there is a connection between healing heart and electromagnetic waves. So, she uses her music as a medicine for all the broken hearts.

Check out the interview here:

Wild Anima (Alex Alexopoulos) // June 2018.

//More of Wild Anima’s Work//

www.soundcloud.com/kurosounds-wildanima

https://www.facebook.com/wildanimamusic/

Thank you, Wild Anima!

Beatrice is an artist from Melbourne, Australia who joined us here at the Fish Factory in May and June 2018. She is an interdisciplinary artist but mostly focuses on sculptures.

During her stay, Beatrice created numerous wax castings from reindeer antlers which she combined into figurative sculptures. The wax sculptures Beatrice will transfer into bronze castings once she is back in Australia. Beatrice was inspired by Norse mythology, f.x. Valkyries, as well as different shapes in nature, which she modifies and plays with. Beatrice also made printed artworks from her embroidered landscape images of the magical mountains.

Beatrice Magalotti // May – June 2018.

Check out the interview here:

//More of Beatrice’s Work//

www.beatricemagalotti.com

Thank you, Beatrice!

Audra Hubbell is a graphic designer from the United States, who joined us here at the Fish Factory in June 2018. Mostly she finds inspiration in places&memory and their relation between each other in her creations. While she was in residency, she collected objects and turn those found objects into artworks. In her artworks she uses different kind of materials like found objects, pictures and she mixes all together, sometimes she paints on them with colors, or draws on them with chalk to create her visuals.

Audra Hubbell // June 2018.

Check out the interview here:

//More of Audra’s Work//

http://cargocollective.com/audrahubbell

https://www.instagram.com/audhubs/

Thank you, Audra!

Amy Caterina is a photographer from Southern California, who joined us here at the Fish Factory for her second visit in June 2018. Amy came to the Fish Factory for a first time in January 2017 and as a photographer, she wanted to experience the exact opposite light situation. 

Amy Caterina // June 2018.

//More of Amy’s Work//

http://www.amycaterina.com/

Check out the interview here:

Thank you, Amy!

Monica Hunken // May 2018.

Monica is a performer, activist, and creative direct action teacher among many other things. She is based in New York, United States and joined us here at the Fish Factory for a month of May 2018 to focus on developing her new solo play.

Monica took over our concert hall for the month where she wrote and rehearsed her new play in which she weaves together events in her personal family history – particularly from her mother’s point of view – turns and twists of US politics since the 80’s and imaginary alternative life trajectories. The fantastical story includes espionage, dark humor, friendship and second chances and is filled with music from punk to Elvis and hip-hop, Monica wrote especially for the play.

At the end of her residency, Monica organized an open dress rehearsal and we at the Creative Centre got to enjoy her touching and funny story. Also, another artist in residence, Clint, was making his debut in the play as he collaborated with Monica as a technician, musician, and videomaker.

Photos from the dress rehearsal of Monica’s play performed in our concert hall. // All photographs by Jana Charl, May 2018.

//More of Monica’s Work//

http://monica-hunken.squarespace.com

Thank you, Monica!