Yang Jianwei is an animation artist and a visual artist from China who stayed with us during February 2017. His work revolves around fictional characters which he portraits in his drawings on paper with pencil, gouache and water colour. Yang is interested in researching the connections between people’s lives and social and urban development. He thinks that human behaviour plays a certain role in social development and he is interested in the impact society has on people’s lives.
Yang became interested in the Ceramic Workshop in the Factory and started to experiment with forming his character in clay as an alternative approach to his work method and it opened up a new field for his project, since he never worked with that medium before.
Nicole Pedersen is a sound artist and a visual artist from Denmark and she has been staying with us during January and February 2017. Before her residency, she travelled to south-east Asia and was inspired by their cultural heritage. Her project was to create objects that had references to historical relics and archaeological finds and temples that represent a history of lost civilisations.
Artwork by Nicole Pedersen, February 2017
Furthermore, she is interested in science fiction and artificial intelligence, outer space and life on distant planets. In Stodvarfjordur she constructed a number of fake historic relics that implies an extinct existence, thus creating an artificial history of a civilisation or intelligence that has never been. She was very inspired by the rural and other worldly scenery of Iceland during her residency here and she worked on various objects with different materials such as electronic lights and different kind of metals. Also, she started to create various objects from clay in the ceramic workshop, which helped her to get into the right frame of her mind for her project!
Sara Nanna Jørgensen is an Animation Artist, a Visual Artist from Denmark who stayed with us for one month in February 2017. She works on films and images with her characters. She makes characters with her special materials and her perspective. During her residency, she made three characters inspired by the landscape surrounding Stöðvarfjörður.
Sara Nanna Jørgensen, February 2017
She seeks inspiration in dreams, thoughts and memories, she captures impressions, behaviour and moods of people around her and as well from drawings of her surroundings. Then she recreates them. She uses her recreated characters as symbols to act out her thoughts and moods.
Artwork by Sara Nanna Jørgensen, February 2017
The images are a juxtaposition of naturalistic characters and abstract creatures interacting with each other in the setting/stage set. Through implementing poetic fragments from everyday life, she aims to mix symbols, moods and conflicts, all of which relate to the world we inhabit, simultaneously underlining the meaninglessness of life and its conflicts, alongside magical elements and a poetic aesthetic.
Sacha Ratcliffe is a Canadian Sound Artist, Filmmaker and Graphic Designer who has been staying with us in the Shared Studio for the months of December 2016 & January 2017. During her stay, she has been working in various mediums, such as linoleum printmaking, drawings, photography as well as experimenting with instrument making.
Artwork collaboration between Sacha Ratcliffe & Marina Shaltout, January 2017
Sacha has also been collaborating with Marina Shaltout on various performance – based photography, but the duo met during their residency stay here :)
Sacha Ratcliffe & Marina Shaltout, January 2017
Sacha is also a member of the band Dark Marcy which she formed with the other visiting Artist & Musicians at the Centre. Dark Marcy performed a couple of concerts at the Centre and where very well received. Dark Marcy has a facebook page worth visiting.
Dark Marcy; Brynja Bjarnadóttir, Sacha Ratcliffe, Billie Zizi, Marina Shaltout,
Jonathan, Tumi (the dog) & Peter in Studio Silo, March 2017
Jonathan Hafner is from Germany and he came to us in February 2017 and will be volunteering with us for the next months on all sorts of carpentry task for Studio Silo and the Factory as a whole :D
Amy Caterina is an American artist who stayed with us for one month in January 2017. She was working on the Pinhole & Polaroid Photography and Sewing during in her residency in the Fish Factory – Creative Centre.
Photo by Amy Caterina, January 2017
Amy is interested in exploring issues such as topography, reclamation, personal interactions, and domestic happenings. Direct and indirect, the real and artificial, and the cause and the effect of human and environmental interaction. She uses a variety of media to address these polarities. Her installation and public artwork continue her working method of interconnectivity. Amy was interested in the small community of the Factory and worked on series of portraits of her fellow Residency Artist and the staff of the Centre.
She was also fascinated the powerful landscape and how the variation in weather influenced the light and atmosphere. Amy experimented with Pinhole & Polaroid photos in the attempt to capture and represent her experience.
Later on she got her hands on a sewing machine for the first time and it opened up a new field for her. She started to experiment with sewing on fabric and paper as an alternative approach to drawing the surrounding landscape.
Artwork by Amy Caterina, January 2017Artwork by Amy Caterina, January 2017
Shannon Faseler is a visual artist from the USA who stayed with us during in January 2017. She is a graduate of the University of Texas at Austin where she received a BFA in Studio art. She also holds a MFA in painting and drawing from the School of the Art Institute of Chicago. Upon graduating in Chicago, Shannon moved to California, where she exhibited, taught and ran a University Gallery. Recently she has moved back to Austin, Texas where she continues a rigorous studio practice in addition teaching, exhibiting and curating. In her down time, she enjoys all outdoor activities with her husband and yellow Labrador retriever ‘star’.
Shannon works in a variety of media, She strongly believes in an interdisciplinary approach to the visual arts. ”Aesthetics of Decay” is a series of paintings, drawings, video and installations that challenge their customary view of aesthetics in the natural world. Rather than perceiving and representing a factual reality, her work is an illusion fabricated to conjure the imagination.
Her works are based on climate change and its visual effects on the planet including flood, glaciers and drought affected landscapes. They evoke the fragility and instability of our seemingly tangible reality. Subjective associations are made based on formal parallels that encourage the viewer to make new personal associations. Her work deals with the documentation of events while focusing on aesthetics and representation. Also, her practice is research based. She uses her own photography, documentary photography, climate change graphs and statistics as well as credible academic articles and texts on the subject of climate change as a foundation for her work. Currently, She is visually deconstructing the glacial landscape and formally reconstructing the forms and shapes. These works illustrate the futility of rebuilding the glacial landscape, like attempting to complete a puzzle when the pieces have changed shape.
Billie Zizi is a Musician & Artist from Canada and she has been staying with us in the Private Studio for the month of January. Billie has been writing new music for her album and filling the Centre with warm tunes. Her sound is a heady mix of dirty, soulful, indie jazz pop, and these tracks give off serious bedroom vibes. You can get a taste of Billies music here. Billie is also a talented Artist and during her stay, she has been making some beautifully coloured drawings and paintings on paper.
Billie is also a member of the band Dark Marcy which she formed with the other visiting Artist & Musicians at the Centre. Dark Marcy performed a couple of concerts at the Centre and where very well received. Dark Marcy has a facebook page worth visiting.
The Super Slinky A massive Stereo Spring Reverb unit with a massive sound. Fully discrete Class-A signal path, powered only by vacuum tubes and JFET transistors. Overdrive it into sweet harmonic tube distortion and make it howl with innovative Feedback and Cross-Feed controls. Adding that analog tube warmth and lucious spring reverb to your tracks is super easy in one box. Highest quality springs that don’t sound so springy!
Two Type-9 Accutronics Reverb tanks give luscious, thick reverberation through a total of 12 springs
Long decay time of over 4 seconds, with the option to connect different tanks to channel B at the rear
Transformerless Pentode Driver stages giving flatter frequency response than conventional low impedance systems found in most reverbs
Switchable Low-Cut filter on drive stage cutting at 200Hz or 600Hz, or off allowing all frequencies in
Large VU Meter displaying drive strength and calibrated to indicate tube clipping in the red zone
Low noise discrete reverb recovery using a hand-selected JFET followed by a 12AX7 triode amplifier
Innovative Feedback control which allows slow feedback of the reverb signal, and self-oscillation
Cross-feed switch gives bigger depth to a stereo source, putting the wet signals to opposite sides
Bass & Treble cut controls, defeatable when Treble is turned fully CCW
Transformer-balanced 600 ohm inputs and outputs on XLR connectors
3U standard 19 inch rack case, 350mm deep with removable mesh cover
Laser-cut red plexiglass panel with white and gold painted engravings
Please contact Vinny regarding the latest pricing and customised options for this product.
Get that awesome swooping phased drum sound, a crazy panning guitar solo, or even a fast watery vibrato on a vocal. This rack-mount Phaser is like no other with a warm tube character and and a large range of sound-bending possibilities. It’s possible to overdrive it, and it outputs in stereo. The comb filtering and panning effects are stunning and the self-oscillating territory is super fun! You will be pushed to find anything similar on the market today.
All-tube Class A signal path with noiseless transformer-based phase modulation
Input level and Output trim allowing overdrive if desired
Each of three phasing stages can be mixed and panned to the stereo output
Clean signal can also be mixed in and inverted if desired
The Feedback control allows for resonant phasing, ring modulation, and even self-oscillation
Triangle & Square Wave Internal LFO (0.5-15Hz) and External C.V. input on rear panel
In EXT mode the phase can be manually swept with the Intensity control when no CV jack is inserted
Phase can be manually swept with Intensity control when no C.V. jack is inserted
Magic Eye Indicator Tubes for input signal level and modulation rate
Tubes used are three 12AU7 twin triodes and two EM84 Magic Eye Indicators
Input and outputs are +4dBu unbalanced jacks
Transformer-balanced Input and Outputs available on request
2U standard 19 inch rack case, 250mm deep
Laser-cut translucent blue plexiglass panel with switchable backlight (FOH/live use) and white and red painted engravings
Please contact Vinny regarding the latest pricing and customised options for this product.
The FETA may not seem like the king of cheeses, but this thing really wins in the flavour competition amongst solid-state compressors. Based on the renowned UREI 1176-Rev.A this device gives all the aggression and artifacts of the original with some handy added features that make it easier to use. Two independent but linkable compressors in one 2U case gives big space saving with a huge uncompromised sound.
Fully Discrete Class-A signal path with no op-amps involved
Large adjacent VU meters to monitor Gain Reduction or Output level
Rugged Bourns T-Pad input attenuators & Alpha pots throughout
Hand-selected transistors throughout, stereo matched for gain
Fully independant power supplies with common power transformer
Gain Reduction defeatable to allow for colouring of the signal without compression
Transformer-balanced inputs and outputs (XLR) using Cinemag and Anderson Iron
2U standard 19 inch rack case, 300mm deep
Laser-cut black plexiglass panel with white painted engravings
*With optional RCA knobs as seen on photos
Please contact Vinny regarding the latest pricing and customised options for this product.
This massive beast is our flagship tube compressor and he kicks as hard as the strongest horse! Two linkable channels of slick vari-mu tube compression using vintage tubes, Lundahl & Edcor transformers, with circuitry quite similar to the Altec 436 Compressor along with added improvements. A full 5U panel of controls leaves you with huge options for all sorts of dynamics control. Push it hard and you get subtle overdrives and nicely rounded waveforms!
All-tube balanced signal path with smooth overdrive tones and harmonics when pushed (more controlled than the Black Bottle due to negative feedback in the output stages)
Large vintage meters for Gain Reduction & mini meters for Input/Output level
Attack & Release controls with times of 4-120ms & 0.1-2s respectively
Thump switch gives slower attack curve and Dual Rel. switch doubles the release time
6-step Sidechain High-Pass Filter for bass-heavy material
Stepped Output Attenuators
Stereo Link switch for use on a stereo buss (Ch.A Attack & Release become master)
Transformer-balanced 600 ohm inputs and outputs on XLR sockets (outputs pre-loaded internally)
5U standard 19 inch rack case, 250mm deep including transformers at the rear
Laser-cut green plexiglass panel with white painted engravings
Optional panel backlight for live/FOH use
Optional fast-acting “Transient Eye™” tube meters for input/output monitoring
Fully stepped control version also available for easy recall
Please contact Vinny regarding the latest pricing and customised options for this product.
The Black Bottle, a Thermionic Compression Amplifier
A rare variation of Vari-Mu Compression Amplifier using vintage black metal tubes from the 1950s era made by RCA, which are hand selected. Largely inspired by the infamous Federal AM864U US Navy Broadcast Limiter, with many additions and improvements. With oodles of gain and an aggressive non-feedback controlled 6SN7 output stage, this ancient-looking device is capable of wonderfully fat compression and meaty distortions in many flavours.
All-tube balanced signal path with sweet overdrive tones and harmonics when pushed
Max gain of 36dB, making it usable as a mic pre-amp/comp. on loud sources
Large vintage meter switchable between Gain Reduction and Output level-Stepped Attack & Release controls with times of 5-100ms & 0.1-2s respectively- 6-step Output Attenuator
Stereo Link switch for tying a pair of Black Bottle units together at their side chain
Transformer-balanced 600 ohm input and output on XLR sockets (output pre-loaded internally)
3U standard 19 inch rack case, 230mm deep including tubes and transformer at the rear
Laser-cut black plexiglass panel with white and gold painted engravings
Please contact Vinny regarding the latest pricing and customised options for this product.
Marina Shaltout is American Artist who has been staying with us for the months of December and January 2017. Marina’s work has a humorous undertone and is marked by playfulness. It is based on sculptural costumes, performances and photography. During her stay Marina has been working with various found materials and fabric, creating sculptural costumes as well as performance base photography with Sacha Ratcliffe, but the duo meet during their residency stay here and started to collaborate.
Artwork by Marina Shaltout & Sacha Ratcliffe, 2017Marina & Sacha in the Studio, January 2017
Marina is also a member of the band Dark Marcy which she formed with the other visiting Artist & Musicians at the Centre. Dark Marcy performed a couple of concerts at the Centre and where very well received. Dark Marcy has a facebook page worth visiting.
Melissa Dole is mainly sculpture artist working with texture and big formats. But during her residency, she was working on small sculptural objects. There was a lot of black paint, seaweed, bird corpse, etc. in Private Studio during month of December. Melissa was exploring realm of connection between human ability to explain things to itself and nature as it is.
Michal Somoš stayed with us during November 2016 and we could really have had him a bit longer :) Michal could not only do everything, he was also a great company. During his stay he was a massive help in the making of the ventilation system for Studio Silo and he also sorted out some lighting system for the Concert hall !!
Katarina is a photographer from Czech Republic who stayed with us for one month in November. She was working with the stone texture and surface and taking pictures of them. During her residency she was filling up her photography portfolio. For more information on her project, we invite you to see project below and interview with her on our YouTube channel.
Laurent Crevon is an artist from France who stayed in residency for two months in October and November. During his stay he was focusing on writing his novel and working with digital arts / light painting photography. Light saber was built during this time to play with different LED sequences. Laurent performed and showcased his light painting live to the audience during our Multidisciplinairy art evening that we held on the end of October.
/ More of his artwork / http://lcreation.fr/ Check out the interview about his stay here:
Carcom is a contemporary dancer. During her residency, she was working on a performance generator software. Software generates improvised movements and gives directions to the performer. This was the main project and aim for Carcom. In the end of the residency she showcased how this software works.
Tal is a musician. Pianist to be exact. During the residency Tal had a concert in Breiðdalsvík. While he was staying in Fish Factory, he was practicing and playing Piano in a Church. At the end of the residency he attended a show at the Fish Factory and joined an improvised band on stage.
Silvia Popp is an artist from Switzerland. She stayed with us in the factory for two months – October and November. Silvia is a founder of Island Institute in Switzerland. She’s been traveling and exploring different islands and doing research on her project she’s explaining in the interview down below. She arrived by Ferry to Iceland – that’s one of the phases of project she’s been working – balance board. Then it lead to definition of reduction and this concept of life ignoring materialism and trying to achieve happiness without it. The last piece during her residency that she performed during our multi-disciplinary exhibition was a silent protest.
Lauren Prousky is a multidisciplinary artist from Toronto, Canada. She stayed with us for one month in October writing dark but humorous poems. Lauren was interested in Swimming pool culture of Iceland. Then she started the mural. Thanks Lauren, our dark upstair corridor became a trippy corridor and more colorful!
Alex Massa is an artist/musician/performer/entertainer from United States. He visited us during his personal break from his as he said professional career. His main goal was to get back to personal creativity field and reconnect to himself. While Alex stayed at our Residency, we were pleased to have a trumpet playing everyday in our halls. Eventually Alex turned his Private Studio into as Una called it – erotic studio – by building cozy lights from buoy.
So.. Finally we can introduce you to brand new Shared Studio space (95 m2) that we have. It is completely done now. We’ve expanded! Now instead of two artists in a Shared Studio we will have 6 available spaces every month! It means.. 7 artists every month in the Factory… Are you one of the artists, who is looking for a space? Check the photos, pick the table – our inbox is always open – let’s make this happen! :)
More Info about Residency: HERE Meet artists who stayed with us: HERE
Dexter is a painter from Brighton, United Kingdom. He stayed at the residency for one month of September. Dexter’s main aim was to paint in the nature and reanact the nature on his canvas, but it turned out that his residency mostly became work in a studio creating humorous paintings. When Dexter wasn’t working, the main activity was playing music in his studio, our concert hall, although hiking and walking in the mountains that are surrounding Stöðvarfjörður. Inspiration of the village even slightly transformed into thoughts about living in here – Dexter joked.